Wednesday, 17 February 2010

Ioannis Anastassakis: flamenco!

Ioanis Anastassakis - Farruca


Ioanis Anastassakis - Dos Hermanos (Live Bulerias)

KillrBuckeye: the cat's rising

Fans of Petruccifever Strings On fire will no doubt love this track... my cat does! and so it seems does KillrBuckeye's too. I just love this track... you do too... so grab your copy!

* Watch in high quality by clicking the link below!
http://www.youtube.com/watch?v=mKRUag...

* If you like this song, please consider supporting me by purchasing it from iTunes (http://tinyurl.com/bykeos ) or another online music store (Amazon, Napster, eMusic, Rhapsody, etc.)! I think you'll be very happy with the full-quality mp3—much of the quality is lost when YouTube compresses the video file.

* Tabs for "The Rising" are available on my website (see link below). Make sure to read the information about TuxGuitar if you don't have Guitar Pro! The tuning is drop C.

* Please visit my website for information about my gear, playing history, cover video recording method, tabs, frequently asked questions, and more!http://www.killrbuckeye.com

* This work is copyright protected:
http://www.myfreecopyright.com/regist...
Please contact me for permission to use this song.

This is my second metal composition for YouTube! All of these riffs were written during the past 3 months, and I spent quite a bit of time coming up with an arrangement that worked. It was more challenging than "Arrival", because there are 4 tempo and time signature changes in the song! I had to experiment a bit to make the transitions between these sections smooth, but I'm pretty happy with the finished product. I think it's quite different from my first song ("Arrival"), but hopefully you will like it!

As usual, I recorded all guitar and bass (pitch-shifted guitar) tracks direct using my Line 6 POD X3. Drum tracks were created using Toontrack EZdrummer with the Drumkit from Hell add-on (thanks to RedSGShredder for the suggestion). I used REAPER (DAW software) to record, mix, and master the tracks on my computer. Eventually I'll write a bit about this recording process on my website. Note that in the video I'm simply demonstrating how to play the main guitar parts. The guitar I used in this video and for the recording is a Washburn X50 Pro FE (except for the clean part, for which I used a Yamaha Pacifica 112).

Special thanks goes to PetrucciFever (http://www.youtube.com/user/PetrucciF... ) for his valuable feedback and suggestions that helped me to finalize this song! Please download his FREE album. You will LOVE it!
http://rapidshare.com/files/180475697...

Thanks for watching my video. Please let me know what you think!

Website: http://www.killrbuckeye.com

KillrBuckeye - The Rising (original metal song, instrumental)

Nili Brosh: NAMM 2010

Nili Brosh - Lost In Suburbia at NAMM 2010


Nili Brosh - High Strung at NAMM 2010

Steve Brown: The Last Breadcrumb Studio Jam

The last jam at breadcrumb studios. I'm also checking windows level input so there is no clipping.

Steve Brown: The Last Breadcrumb Studio Jam

David Wallimann: How to play over modulation

This video will show you my approach to playing over complex chord changes using the concept of tonal center.

How to play over modulation

Akihiko Onji: 8 finger tapping

test demo01


the previous video

8Finger Tapping guitar

Niels Vejlyt: Die Today(Chapter one) demo

Niels Vejlyt says:
Here is a song from my upcoming solo album. It features me Niels Vejlyt on guitars, Jakob Vand on drums and Bernardo Fesch on bass. The song is mixed by Tommy Hansen(Jailhouse) not mastered yet

Die Today(Chapter one)

Nahuel Schiumarini: Lee Peterson Win a guitar Competition

Win a guitar Competition Nahuel's entry

News: guitar lessons 365

Hey, I noticed you on a guitar lessons channel and just wanted to let you know about my new Youtube channel dedicated to free guitar lessons for players of all levels.

If this video isn't at your particular level, just check out the playlists that I have made for my channel. I have organized all of my lessons in beginner, intermediate and advanced playlists so you won't have to go through all of my lessons to find one's at your level.

If you enjoy any of my lessons PLEASE SUBSCRIBE so you won't miss any of the constant updates. Also, feel free to make a lesson request by posting a comment in the channel.

Thanks a lot for you time, I hope to see you around soon!! :) Carl..

Sample lesson: http://www.youtube.com/user/GuitarLessons365

Eric Johnson Style Open Voiced Triad Arpeggios In Cliffs Of Dover - Advanced Guitar Lesson

Brett Garsed: new ESP guitar sighted


News: Brett Garsed ESP new model:

Tom Hess: Practicing Guitar: Self Discipline Or Fun?


by Tom Hess


Do you find it difficult to fully enjoy the process of highly disciplined practicing? Most guitarists either have lots of fun practicing, but are not highly disciplined, or try to be very disciplined, but find it boring or unfulfilling when they do so. So most people make a (conscious or unconscious) choice to sacrifice 'fun' for discipline, or discipline for fun. Making sacrifices with your guitar practice is not only unnecessary, but can be counterproductive to becoming the guitar player you want to be.
Let me show you why . . .
There was a time many years ago when I was not enjoying practicing. My learning sessions were not fun and I began to think of them as an unpleasant chore. I tried to make practicing more enjoyable, but my efforts slowed down my progress more than they helped. I responded to this by becoming more self disciplined and practicing very hard every day hoping that bigger progress would come. Unfortunately that didn't make me much better at playing, and only made the learning process feel even less fun. I talked about this to the teacher who I was studying with at that time, and he made me realize that practicing shouldn't be seen only from one perspective, such as all fun or all discipline. The key to success is the right balance of both elements in practicing. Once I understood this, he and I could start working on creating the appropriate practice schedule and improving my mental approach to practicing to finally get me on the right track to becoming the musician that I am today. In other words, I learned that there is a way to do serious practicing that produces real results while enjoying that process at the same time. This success comes partly from the practice routine itself and partly from your mindset and attitude during the process.

You will get more from the rest of this article, if you have a better understanding of how effective you are now at making serious practicing "fun" without reducing the results. To test yourself, take this short survey about practicing guitar
.
Let's now take a closer look at each of the two components that you must balance in order to enjoy the process of practicing and see consistent progress. I will also share with you the common mistakes people make that lead to an imbalance of these two elements.
Serious/Purpose Driven Practicing (Self Discipline)
Many people assume that sheer self discipline and persistence will make them as good as they want to be. Unfortunately, most guitarists do not understand how to discover and sustain "the right kind" of discipline.
In order to sustain your motivation for a long time, your work must be "fulfilling". If you don't know the reason why doing something is in your very best interest, you will not be fulfilled, and will be unlikely to continue for long. On the other hand, if you do feel the reasons very strongly, you will be able to pull out the needed intensity and discipline from within yourself without trying very hard. Start looking at practicing as something you do in order to achieve a benefit (become a better player). This will automatically create a meaningful reason (beyond simply having fun) to be involved in the activity and not treat it as a chore that you dread doing every day. This may seem obvious and insignificant, but even a small change in thinking will bring about big changes in results!
Some people stereotype this kind of practice as boring or "requiring too much work". However, it is not the practice approach that is "boring", it is often your mental state during practice that makes the process seem tedious. Of course, sometimes the opposite problem can occur and your practice approach may cause you to mindlessly go through the motions of practice. It is very difficult to get yourself to enjoy such activity. In this case, your learning strategy would need to become more effective. For more information about this, read this article about guitar practice techniques.
One of the biggest mistakes regarding focused practicing that I see regularly is excluding variety and fun from the learning process. This happens frequently, especially when you are not under the guidance of a teacher who fundamentally understands this issue. You may think you are doing all the things necessary for fast progress, but your practice approach could still be susceptible to improvement. One such change may be including more variety into your practice. This will help avoid mental burn out and frustration.
Incorporating variety into your practice does not mean a lack of focus, or doing things that are inconsistent with your goals. It simply means that you have multiple approaches for learning, applying and integrating musical skills. I call this "intelligent" variety. This is much different from "random" variety that involves mindless jumping from one item to another in your practice, with no sense of direction.
Another issue that makes it difficult to see discipline as "fulfilling" is that results usually do not occur immediately and the small gains made along the way might seem insignificant. This delayed gratification will make it hard for you to practice well on a consistent basis unless you learn to enjoy the process. (more about this later).
Improper application of the idea of variety can also lead you to working on weaknesses that don't really matter. For example, let's assume that your goal is to become a highly advanced metal player. Since this style doesn't require you to fuse elements of other musical genres, it wouldn't be worth your time to work on finger picking or Segovia fingerings for scales (for example). This is because these skills are not necessary for you to reach your goal. So don't waste time on them! It will take you so much longer to reach your goal if you keep getting distracted by working on unnecessary playing elements.
Enjoying The Process (Having Fun While Practicing)
Many guitarists think (on some level) that one cannot have fun learning guitar and get results at the same time. This thinking arises from an idea that "having fun" means random, disorganized practicing with no clear direction and no goals. While it is true that such an approach will not produce significant results, it is still very possible to have fun while working on your playing. Having fun means being able to enjoy the process of practicing. There are many things that go into this, and here is a short list:
  • Experiencing consistent, measurable results throughout the learning process
  • Having confidence that you will reach all of your goals with time.
  • Avoiding boredom by knowing when to make adjustments in your practice schedule.
  • Fueling your desire to reach your goals by surrounding yourself by what inspires you!
  • Practicing application and integration of new skills (together with the old skills). The ways in which we practice mastery, application and integration are totally different and naturally provide a source of 'intelligent variety' into your practice routine.
If I told you that you would get to experience all of the above (and much more) by creating an intelligent, relevant and flexible practicing program, wouldn't you suddenly feel motivated to practice longer and harder in order to see these results? If you answered yes, then you must understand everything I wrote above about how discipline naturally develops from fulfillment!
Summary: 7 Steps to Effective Balancing of Discipline and Fun
  1. Make your practice fulfilling! Without the feeling of accomplishment, your motivation and desire will fade. If you are having trouble achieving fulfillment, try the following:
    • Soak yourself in inspiration - Think back to what made you want to play guitar. Relive the excitement you felt when you got your first instrument. Finally, look ahead to the day when you will have the skills you desire! Focus your mind on the satisfaction of reaching your goals instead of obstacles!
    • Become self-reliant - even if you are working with the very best teacher, you are still practicing on your own most of the time. You must make sure that whatever instructions your teacher gives you (or that you assign yourself) get carried out correctly and consistently!
    • Never give up! Remember YOU CAN learn to play guitar as well as you want to, if you have all of your fingers, a strong desire to improve and follow an effective approach to practicing! Never give up!
  2. Have specific goals. You have to be absolutely clear about what level of playing you want to achieve and what you plan to do with these skills once you have them! This is not only critical for guitar playing, but also for everything in life. You need to identify where you want to arrive before you can get there. This means keeping the goal in the FOREFRONT of your mind in order to enable yourself to harness the power of your intentions and desire. Set goals for your practicing, find out how to reach them, and take consistent action to get yourself there.
  3. Incorporate intelligent variety into your practicing. Doing this will help you prevent boredom and burn out. At the same time, by "structuring" your variety in an intelligent way, you will be able to make consistent and measurable progress. Both things can be achieved if your practice schedule is efficient and effective (and proper mindset is applied).
  4. Find an effective way to measure your progress. This is useful for many reasons. First, it is fun to compare your current skill level to your playing from several weeks, months or years ago, and second, it will help to keep you on track toward reaching your goals. Few people do this consistently; most wander aimlessly with no clear sense of direction. This leads to inability to make significant progress.
  5. Keep your mind focused on the item you are practicing until you go on to the next thing on your practice schedule. Don't switch between different things at random. If you understand the reason why practicing a specific item is important for your goals, this becomes easy to do.
  6. Design an effective and flexible practice schedule. You need to organize all the things you want to learn in a system that is effective enough to bring results and also one that can be adjusted to introduce variety. If you cannot do this well on your own, click on the link to learn about building a guitar practice schedule.
  7. Find ways to apply your musical tools. The easiest way to have fun while practicing is through application of skills to real music. This sounds obvious, but far too many students think that practicing should be all about "learning new things". Because of this, they don't schedule time for application, integration and mastery of what they already know. As a result, many end up with lots of isolated things "they can do", but no ability to actually use their skills. Learning more things is important but it shouldn't be your top priority all of the time. It is also not much fun to practice things that you can not really integrate with your other musical skills in a real musical context. Great players aren't great because they 'know more', it's usually because they can integrate and apply more than the common player.
Above all else, remember to keep at it! Use the advice from this article to make your practicing both fun and focused in order to decrease the time needed to reach your goals! If you haven't yet taken the survey mentioned at the beginning of the article, take this test about practicing guitar.
About the Author
Tom Hess is a professional touring guitarist and recording artist. He teaches guitar players around the world via rock guitar lessons online, Visit http://www.tomhess.net to get free guitar playing tips, assessments, surveys, mini courses and more.


Gustavo Bonfá: testing... can you hear?

Gustavo Bonfá - MERCY - New Solo Test - Coming Soon

Marcelo Ribeiro: tocatta and fugue

"Fugue Estude" Based on BACH composition (Toccata & Fugue) - Arrange: Marcelo F. Vieira Ribeiro
Rock - improvise

tocatayoutube.wmv

Rob Chappers: ML1 does metal!



The Chapman Guitars ML1 in Los Angeles with Eddie Kramer and a ton of Marshall Amps getting a nice fat lead tone.

For further info on Chapman Guitars please go to http://www.chapmanguitars.co.uk or feel free to email info@chapmanguitars.co.uk

Also check out Rob's band Monkey Lordhttp://www.monkeylord.co.uk


Can the ML1 play metal? Part one

Simon King: the gadget... you want a war.. I'll give you a war

Simon King displays a new string dampener... the gadget... the sort of thing that causes ructions between guitar players.... you are either OK with string dampeners or they are the spawn of satan... Obviously Simon King blows you away with his skills which helps... http://www.simonkingmusic.co.uk you want a war.. I'll give you a war... which side are you?... comments please!

gadget.mpg


A Love Supreme - John Coltrane