Thursday, 26 March 2015

Sarah Longfield: Wisconsin's finest returns with Woven In Light - The Fine Constant

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Sarah Longfield: The Fine Constant - Woven In Light


Woven In Light by The Fine Constant

1. Resurgent
2. Eternal Flight
3. Foregone and Forgotten
4. An Experience of Inestimable Value
5. Abdication of Doubt
6. Self Departure
7. Quiescent

credits
releases 10 April 2015

Mixed by Steve Meyer
Mastered by Anthony DiGiacomo

pre order https://sarahshreds.bandcamp.com/album/woven-in-light


Chris Lotten Photography 
The Fine Constant is an experimental progressive metal band from Madison, WI.

TFC formed in May of 2012 when Sarah Longfield reached out to her compatriots in order to begin performing her solo material in a live setting. The band is known for the uniqueness and technically of their music, presented through a dynamic live performance.

Sarah endorses:

Strandberg Guitarworks
EMG Pickups
Randall Amplifiers
Jim Dunlop Guitar Products

The band
Sarah Longfield - Guitar
Steve Meyer - Drums
Steve-O Wilkes - Guitar

https://www.facebook.com/TheFineConstant

Jasun Tipton: Abnormal Thought Patterns announce new album featuring Jeff Loomis amongst others

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Jasun Tipton

Abnormal Thought Patterns press release via Lifeforce Records . Cover artwork done by Erick Pollard \m/.

After their critically acclaimed 2013 debut album "Manipulation Under Anesthesia" Bay Area progressive metal wizards Abnormal Thought Patterns are now ready to show you again their creative magics with the new album "Altered States Of Consciousness"!

Following the path of bands' debut, the Californians expand the framework of what progressive metal can be with their new album. The participation of well-known guests such as Tommy Rogers (Between The Buried And Me), Jeff Loomis (Arch Enemy, Nevermore), Michael Manring, Tim Roth (Into Eternity), and John Onder (Artension-MSG) confirms the special position ABNORMAL THOUGHT PATTERNS have among their peers and expresses the quality-conscious attitude, which underlies all band activities.

"Altered States Of Consciousness" is set to be released on June 29 in Europe and a day later in North America!

Marcel Coenen,Sergey Boykov,Jonas Tamas,Mathieu Fiset : OSV - The cover of light - 8th album available online

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Marcel Coenen: OSV - The cover of light


Album Notes

"The Cover Of Light" is the eighth release from this astounding Alabama prog/metal fusion band built around the nucleus of Gary Oppert (drums) and Steve Sexton (bass). Once again the guitar and keyboard work is provided by guest musicians who should now be regarded as stalwart members: Marcel Coenen (guitars) and Mathieu Fiset (keyboards). Also appearing on the album are another pair of regular contributors Jonas Tamas (guitar on tracks 2, 4, 11, 14), and Sergey Boykov (keyboards on tracks 2, 5, 7, 8). Rounding out the guest musicians for "The Cover Of Light" is Thomas Brown (keyboards on track 10), and the return of original founding member - and the 'V' in OSV - Brandon Vaughn (guitar on track 2, 11 and keyboards on track 11).

"The Cover Of Light" is a collection of 11 bombastic original instrumental compositions that should appeal to aficionados of technical prog/metal fusion in the vein of Dream Theater, Planet X, Joe Satriani, Symphony X, Yngwie Malmsteen, Liquid Tension Experiment, Alan Holdsworth, and Derek Sherinan.

The album also includes three bonus classic cover tunes - "Every Breath You Take" (The Police), "No Quarter" (Led Zeppelin), and "Comfortably Numb" (Pink Floyd).

As blown away as I was by the original material I was equally impressed with the cover tunes. Normally I'll skim through bonus tracks made up of cover tunes because they tend to be filler material, and prefer to focus my attention on the original material. But the three tracks OSV included on "The Cover Of Light" proved to be the exception.

An instrumental version of a popular tune like "Every Breath You Take" can quickly degenerate into glorified MUZAK in the wrong hands. But OSV makes the song their own and you almost forget there are lyrics. And an extra-special kudos to the band for their masterful interpretation of "Comfortably Numb". This already powerful classic resonates with a new-found infusion of ethereal crunchy metal prowess.

Stand out tracks include "Lost In Eden", the raucous "Eyes On High", "Kings And Kingdoms" which incorporates elements of Dream Theater, King Crimson and The Dreggs, the haunting Floyd inspired "Giver Of Faith", and "Broken Chains" which is reminiscent of the rock fusion albums of Alan Holdsworth's - "Velvet Darkness", "I.O.U.", "Road Games" and "Metal Fatigue".

Like the last two OSV albums I reviewed here at Prognaut ("Genesis Effect" and "7"), "The Cover Of Light" is a must have addition to the music library of any fan of prog/metal fusion. It has just the right balance of melody and menace, complete with power chords and laser light-speed arpeggios, and propelled by a tight rhythm section that brings it all together.

I'm still baffled by the anonymity of OSV in progressive rock circles, and the lack of available internet information on the band. Which is a crying shame since their talent exceeds many of the bands they are typically compared to. Highly Recommended

Reviewed by Joseph Shingler on March 15th, 2015

Wednesday, 25 March 2015

Scott Mishoe: theinstrumentalguitarist.com interview

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1. Scott, first tell us a little about your early guitar influences and how you shaped your style over the years?

Scott: I picked up my first guitar at the early age of five inspired by my brother and father who helped me get started with the basics but it wasn't until seeing Eddie Van Halen that I knew I wanted to make music my life and pursue my dreams as a guitarist. I was blown away by his unique and original style.

So of course Eddie Van Halen was a big influence as well as Alan Holdsworth, Yngwie Malmsteen and Frank Gambale. Listening to these players, helped me realize the importance of having a style and sound so I made this a top priority. I also started studying music theory from a Berklee graduate and practiced at least 8 to 10 hours a day to find my unique voice on the instrument.

Victor Wooten who is a friend of mine and Ray Riendeau who played bass on my Omnidirectional both played a major role in my development of the slap technique more commonly used by bass players. But because I loved this sound, I started applying it to the guitar

Joel Hoekstra: theinstrumentalguitarist.com interview

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7. Who are some of your favorite up-and-coming players and why?

Joel: I have so little time to listen these days, but 2 guys I've seen on-line that sound amazing are Andy Wood, who is playing with Scott Stapp right now, and also Hayden Maringer who is getting loads of great gigs as well. I like them because they are 2 guys with loads of chops, but understand how to play for certain situations and play tastefully.