
Published on 6 Apr 2016
Available at FRET12 - 04.08.16 - http:/f12.link/jim-root
Jim Root: The Sound and The Story - .5: The Gray Chapter (Official Trailer)
Win the Ultimate Jim Root Rig! EMG Pickups, Fender, Orange, and Dunlop are giving away Slipknot & Stone Sour guitarist Jim Roots’ rig. The rig includes Root’s signature Fender Telecaster with EMG 81/60 pickups, his signature Orange Terror 15-watt head and 2 x 12 cabinet, along with MXR and Dunlop pedals including the Hendrix Cry Baby. More » |
Slipknot’s Jim Root to launch his signature gear on the Orange Booth at NAMM
Orange Amplification is proud to announce the Signature #4 Jim Root Terror Head and cab, developed in association with the famed guitarist.
Jim Root has the incredible honour of showcasing his skilful playing with two of today’s best in American hard rock– the multi-Grammy nominated Stone Sour and the Grammy winning Slipknot. He has a wide range of playing styles, which come together to create a unique, uncompromising sound and tone.
The Signature #4 Jim Root Terror Head is modelled after the dirty channel on the same amp that Jim Root plays in the studio and on the road: the Orange Rockerverb 100. This all-tube, 15-watt amp is capable of far more than high gain rock and metal though. With a full 3-band EQ players will find it easy to dial in everything from vintage rock, blues and beyond. The addition of a tube-driven FX loop allows the user to take the tone in any direction they want.
His new Signature #4 Jim Root PPC212 cab has been developed alongside the head to bring you Jim’s full tone! The new cab is finished in black vinyl with a specially developed black version of the Orange basket grill cloth and proudly features the signature #4 plate on the front. With a closed back design, the cab has a tight bottom end and delivers Jim’s signature Orange tone.
Said Jim of the name on the signature head, "With this amp, simply giving it the number I use in Slipknot seemed logical. I've not been to apt to splash either band logo or artwork all over things, but this will be the beginning of the end of that...maybe"
To complement Jim’s own style and image, the Signature #4 Terror Head is formidable and attention grabbing, featuring the vintage ‘Pics Only’ logo in white on a black chassis. The rear of the amp has both the Slipknot and Stone Sour logos.
Specifications
Volume, Gain, Bass, Mid and Treble Controls
12AT7-Driven FX Loop
1 x 16 Ohm and 2 x 8 Ohm Outputs
Switchable Between 15/7 Watts
This is a simply essential tool for any guitarist from any playing background. Quality built for the huge sound, lush tones and high gain necessary for rock and metal music, but versatile enough to be useful in any situation!
Jim Root will be personally launching his signature #4 products on the Orange Booth #4890 Hall C at NAMM at 2pm on Saturday 21st January.
Oh yeah. It absolutely has become that. It's almost reminiscent of when rock ‘n' roll first started getting spun in the Fifties. Everything was single-based, nobody cared about records until bands like THE BEATLES, THE WHO and LED ZEPPELIN, PINK FLOYD, too, of course, started experimenting with making full-length records. It's kind of a weird evolution, because in some ways we've been seeing things going down the toilet. It makes it harder, because it trickles down to everything: it doesn't just affect record labels and bands, it affects the people who drive buses for bands, the hotels that the bands book into, it effects the entire economy of the music industry. It's already started affecting touring, the only place a band can make any money at all anymore is by touring. That's part of the reason that I haven't come off the road in the last 11 years. And now you're going to have every band in the world, even if they're successful on radio or successful in the pop world, having to hit the road in order to make money. They're not making any money from publishing, and they're not making any money from selling records, so they have no choice. And what you'll see from that is such an over-saturation of every band, y'know, touring bands might be playing in your city on any given night, all fighting to pay their mortgages, I guess! (laughs) You can certainly see it that way. It goes pretty deep, and it's not just that… The culture of buying an album on CD or vinyl has gone out of the window. A lot of kids don't really understand that, they just hop onto Limewire, or find a BitTorrent, or even just go onto iTunes if they're going to pay for something. It's just right there, there's no searching about. No talking to the old crusty guy who runs the mom-and-pop record shop, "If you like this, this guy played guitar on this album, at this time…" There's no studying the album artwork, or finding out where it was recorded at, who produced it, or how the album artwork was put together. There are many different artforms that are just being lost because the whole digital revolution has homogenized everything, turned it all into Walmart. (laughs) It's a little bit sad. full
At the 2010 Download Festival, we caught up with Stone Sour/ Slipknot guitarist Jim Root, who shows us how intense touring has evolved the finish of his signature Telecaster®.
ALL HOPE IS GONE, the Des Moines-based band’s fourth studio album, claimed the coveted #1 debut slot on Billboard’s Top 200 chart in the US, after an extraordinary SoundScan recount. The album was initially announced today as a #2 debut, a mere 13 units behind The Game’s #1 debut, marking the closest margin in SoundScan history. The chart positions resulted from a reported 238,272 copies of All Hope Is Gone sold in its first week in stores, while The Game’s LAX reported 238,285. With such an unprecedented margin, Roadrunner Records and WEA requested an historic recount. SoundScan obliged and chart positions have been reversed, with Slipknot claiming #1 and a new margin of 1134 albums. Final recount numbers are 239,516 for All Hope Is Gone and 238,382 for LAX sold during their first week of release. This marks a landmark achievement for Slipknot and Roadrunner Records.
Slipknot has seen similar outstanding first week sales globally with #1 debuts in Australia, Austria, Canada, Finland, New Zealand, Sweden and Switzerland, #2 in the UK, Germany, France, Belgium and Japan and a #3 debut in Norway.