Tuesday, 12 February 2013

Mattias IA Eklundh,Magnus Karlsson,Lalle Larsson,Linus Abrahamson: Anton Johansson’s Galahad Suite - new CD

Lion Music are proud to announce the addition of ANTON JOHANSSON’S GALAHAD SUITE to the label’s roster for the release of the epic “Galahad Suite”.

With a sound that runs across progressive rock/metal, melodic and hard rock grounds with equal measure, “Anton Johansson’s Galahad Suite” is the result of an idea that has been in the head of former Mister Kite member Anton Johansson for almost 30 years and features an array of talented musicians including Linus Abrahamson (guitar and bass), Carl Lindquist (vocals), Mats Bergentz (Drums), Sebastian Berglund (Keyboards), Anna Forsvall Lundmark (Cello) and backing vocal by Evelina Andersson, Ellen Abrahamson and Mikael Cederhag.

The album also boasts notable guest performances by guitarists Mattias IA Eklundh (Freak Kitchen, Freak Guitar), Magnus Karlsson (Primal Fear, Allen/Lande, Starbreaker), Jonas Hansson (Silver Mountain), Dennis Post (Star*Rats) and Magnus Kristensson (Mister Kite, Planet); along with keyboards by Lalle Larsson (Karmakanic, Agents of Mercy, Electrocution 250) and additional vocals by Alf Wemmenlind (Mister Kite, Fifty Grand Suicide).

Project mastermind Anton Johansson, born 1960, started playing piano when he was nine years old, guitar at 12 and bass at the age15.  Like everybody else he nursed the dream of becoming a rock star and played in lots of local bands.  In the mid 90’s he founded Lion Music act Mister Kite with whom who he recorded and toured with supporting acts like Bruce Dickinson, Dio and SAGA. In 2007 he joined forces with Linus Abrahamson (Andromeda, The Codex) to finish the long-time coming project The Galahad Suite.

Lion Music are pleased to confirm Anton Johansson’s Galahad Suite will be released on 11th May 2013.

Full details on Anton Johansson’s Galahad Suite to follow shortly.

www.galahadsuite.com
www.facebook.com/GalahadSuite
www.youtube.com/GalahadSuite


Galahad Suite - Album Preview

Sergey Golovin: Sense Of Reality - the CD now available - grab a slice!


Learn The Ultimate Control
Introducing the debut jam track package from the incredible Sergey Golovin.
Sergey is a unique and very talented player. His approach to playing is effortless, and the results leave you desperate to see more. He creates licks that are controlled, concise and extremely creative. WithUltimate Control you will get to learn every single one using the included solo example, backing and extended jam tracks, live video performances and the ever present trusty TAB which Sergey exclusively created himself!
Throughout this set of superb jam tracks, Sergey will also teach you an abundance of technique from string skipping to hybrid picking that will help you gain ultimate control of your guitar.

Sergey Golovin: Sense Of Reality

You can also get Sergey's incredible debut album 'Sense Of Reality' through the site, as well as a http://www.jamtrackcentral.com/jamtracks/sense-of-reality-special-edition version which comes with two of the jam track packages included as well.

Eupremio Ligorio: Home - Track from upcoming EP


This is my first single as well as the first instrumental track on the EP of 5 songs that this will be ready by January 2013.
The work I decided to call HOME as all tracks are recorded at HOME and not in recording studios;)
good listening .......

Rock \m/, Roll

56.10.84 Eupremio Ligorio ( singolo EP ''HOME'' )

Michael Dolce: legato solo 3 - lesson package


Here is the 3rd solo from Michael's new lesson package "Legato technique and concepts".
Included in the package is the 40min lesson ,40 page booklet,backing tracks,bonus album track solo transcribed "cronies".

Michael Dolce legato solo 3 from "LEGATO TECHNIQUE AND CONCEPTS"Lesson Package

Joe Bonamassa: special Acoustic Evening at the Vienna Opera House

Joe Bonamassa to release "An Acoustic Evening at the Vienna Opera House" on CD, Blu-ray, DVD & Vinyl on March 25 & 26http://bit.ly/VS7XmK

Christie Lenée: Using the Engle at NAMM-2013




Christie Lenée: http://www.christielenee.com/ The Engle: a drumstick for guitar. Performed on a Gryphon Soprano 12 String (Veillette Guitars). We're really excited for the "buzz" about The Engle after this weekend at NAMM. We now have interested distributors in over 8 countries including Japan, China, Australia, Iran, Germany, Canada, and South Korea, in addition to many local music stores and others like Guitar Center and Sam Ash. It's truly an honor to be a compositional pioneer of this brilliant guitar tool. I knew it was something special the moment it got in my hands!

Thanks to Mark Engler and Engler Innovations for finding me on youtube and asking me to showcase for this exciting new product. This drumstick for guitar has been inspiring many new compositions, several of which will be featured on my upcoming instrumental record releasing this spring.

I am currently in a studio in LA tracking strings for the album and can't wait to share more music with the world. Thanks for listening!

Christie Lenée: Using the Engle at NAMM-2013

Sam Bell: Mask Of Judas - Axis 2013 - EP announced

Title track taken from the "Axis" Mini-Album due April 29th

Give us a LIKE on FACEBOOKhttp://www.facebook.com/pages/Mask-of...

Video by Red Shade Productions
Recorded at Envy Studios

E.P COMING VERY SOON!

MASK OF JUDAS - AXIS 2013 (WATCH IN HD)

Allan Holdsworth, Kurt Rosenwinkel: Fred lined up for Crossroads Festival

Allan Holdsworth will perform his signature song "Fred" accompanied by Kurt Rosenwinkel's band, as a special guest, at the upcoming Crossroads Festival in NYC on April 12, at Madison Square Garden. Stay tuned for more info.
https://www.facebook.com/CrossroadsGuitarFest

Ryan Buckner: The Top 3 Reasons Why Your Guitar Songs Sound Boring


The Top 3 Reasons Why Your Guitar Songs Sound Boring
By Ryan Buckner
Are you frustrated with the quality of your guitar music? If you are not feeling happy with the way your guitar songs sound, you are not alone. Many guitar players are clueless when it comes to translating their guitar playing abilities into great music. That said, you definitely CAN create great music for guitar; however, before you can do this you will need to learn how to think creatively during your songwriting process.
To start writing songs on guitar that sound the way you want them to, you are going to need to incorporate many creative approaches into your songwriting process. By integrating several methods together, you will have less trouble coming up with interesting ideas since you are not held back by the limitations of merely using a single approach. This will help you maintain a consistent flow of ideas to help you write guitar music more creatively. In order to give you more strategies to use for creative songwriting, I have put together three of the most limiting approaches that are used by guitar players while writing music. For each point, I will describe why the approach is limiting and (with this in mind) how you can write songs on guitar in a way that will bring you more results. Here are three approaches that you will need to improve, change or integrate (with other approaches) in order to become more creative in your songwriting:
1. Overlooking The Significance Of Each Note You Use In Your Music
Every great songwriter consistently looks to get the most out of every note he/she uses to create music. As you write music with guitar, it is important for you to use this mindset as well. For instance, in many cases, guitar players overlook the finer details in their music while using ‘chords’. In the mind of these guitarists, chords are simply big chunks that serve the sole purpose of being placed below the melody line as a part of “natural song structure”.
This mindset is extremely limiting because chords are much more interesting and useful than this. Chords are essentially made up of several individual notes that function as “melodies” when moving from chord to chord. By recognizing this, you can greatly improve the way the notes of one chord lead into the notes of another; this will make your guitar music flow much better as a whole. In order to do this on guitar, try using the following approaches:
· Don’t use the same chord positions all the time. Utilize the different positions on guitar to the same chords you normally play in a different way. This includes playing “slash” chords (also known as inversions) to help you develop different bass lines.
· Whenever you used chords pay attention to the notes that they share in common with one another. By using these chords one after the other you create smooth transitions in your music.
· Begin by writing a nice bass line. Next, start adding more and more notes over this line until you have made a chord with at least 3 unique notes. Use this process to complete a progression of chords that contain individual notes moving by ½ or whole step from each note to the next note after it.
Here are a couple of additional songwriting ideas to think about as you write music on guitar:
· Play the same note in different positions on the fret board in order to get different tones. For example, notice the difference in tone when you play the open high “e” string versus when you play an “e” note by fretting the 5th fret of the “b” string or 9th fret of the “g” string. One way you can creatively use different tones in the music you are writing is by playing the more “bass/mid range” sounding tone to compliment a very “treble” sounding musical passage.
· While writing guitar music, utilize different picking styles. Many guitarists only use a pick while writing guitar music, which limits their options when it comes to tone. Try adding an entirely different sound to your music by utilizing finger style parts in your music. For example, rather than using a pick to play the notes of a clean (no distortion) arpeggio, use your fingers to add a distinct, soft dynamic to your music.
2. Only Writing Music Through Improvisation On Guitar, Without Planning Anything Ahead Of Time
The overwhelming majority of guitarists create their music without spending much time at all to actually think about what they want to write about. Instead, they use the approach of grabbing their guitar and playing through familiar patterns or licks until something starts to sound good. The truth is, if you are using this as your only approach for songwriting, the chances that you will NOT be able to think of great ideas increases significantly. Why is this? The reason for this is that such an approach for writing guitar songs is actually counter-intuitive to the way the natural songwriting process works. To illustrate my point, imagine that you were going to make a painting. If you wanted to pain a great portrait of someone, would you tell them to stay home while you tried to guess what they look like by randomly moving your brush around on the canvas until something resembles a face? Of course you wouldn’t. Instead, you would invite the person you are trying to paint to come to your studio, have them sit in a chair, observe the way the light hits their face and carefully paint until you have expressed your idea on the canvas as accurately as possible. This same concept rings true in music. The better you understand what you are trying to achieve with your music ahead of time, the more likely you will be to accurately convey this idea in the songs you write.
In order to get better at expressing your ideas as you write songs on guitar, focus on writing out the ideas you want to express for about 30 minutes or so before you pick up your instrument. As you do this, organize your ideas into different categories such as “emotions”, “events” or any other groupings that you would like to use. Once you are satisfied with the ideas you have written down, choose a few of them to use in your song. Next, think critically about the different ways you can express these ideas by using different musical elements. For instance, think of songs you have listened to before and how you felt during certain parts of the music… what was going on musically that made you feel that way? …how did the lyrics work together with the music being played? Additionally, you can even create a map of how each idea you want to express will be used in each section of your next song. There are many different ways to do this, try to be as creative as possible in this process.
Once you have thought of the ideas you most want to express in your music, get started creating the music side of your song by learning how to write better guitar riffs.
3. Writing Songs Exclusively On Guitar While Avoiding Other Instruments
This common songwriting approach used by guitarists is by far one of the most limiting. If you write your songs by using this approach, your musical ideas will be restricted exclusively to the patterns and techniques that come from your guitar playing habits. This means that each time you write a song, it will be made of similar ideas, note rhythms, scale patterns and other things that you usually play on guitar. This will cause you to run out of ideas fast and your songwriting will become repetitive over time. That said, of course you DO want to write guitar music (as a guitarist), but even so, most music that contains guitar also contains bass guitar, drums, vocals, keyboards or various other instruments. In order to write great parts for these instruments, it will be beneficial to not restrict yourself to guitar only during your writing process. By writing your music using a combination of different instruments, you will open up many new possibilities for your songwriting and the overall quality of your music will increase greatly.
To start using this idea in your songs, set your guitar aside and try writing 5 new songs and/or song melodies by using another instrument as your fundamental songwriting tool. As an example, you could use the keyboard to create the overall direction of your music by mapping out the chords of your song. Additionally, you could use drums to think of the rhythms you want to use in each song section or perhaps bass guitar to develop the bass lines that will help carry your song’s rhythm. After you have chosen and instrument and begun writing, you can go back and integrate the other instruments of the song (this includes guitar) together with the ideas you have thought up. By using this approach of writing with alternate instruments, you will quickly improve your overall songwriting creativity and learn how to write better parts for instruments other than guitar.
The more you practice creatively using and integrating different approaches together in your guitar music, the faster you will improve your songwriting skills. In this article, you have learned various ideas to help you write guitar music with fewer restrictions on your songwriting process. By putting these ideas into practice now, you will better retain the information and get the most benefit.
Get started right now using the ideas from this article to enhance your songwriting and learn how to write better guitar riffs.
About the author:
Ryan Buckner is a professional musician, guitarist and songwriter. His online songwriting lesson site contains a free songwriter mini course as well as many other instructional songwriting resources.

Jason Becker, Mike Varney, Laurie Monk: the big 50!

Yes... it's my 50th Birthday... so thanks to all those who have sent or about to send best wishes.

I like to thank my mum and dad for getting through the 12 foot snow drifts and letting me do what I like to do best... and now dad has gone, to mum who still says, I like what you are doing!

Also to thank all the guitar players for making life so enjoyable and adding some much new art to the world on a daily basis.

Plus all the guitar aficionados around the world, people like Michał Kubicki, Guglielmo Malusardi,Kris Claerhout, Mike Blackburn and Edwin Mclean ... who keep that flame alive.

Plus a super big thanks to Mike Varney, and Jason Becker, who I was fortunate to meet just days ago and make me realise I have so much more to listen to.

Laurie Monk, with the composer Jason Becker

Mike Varney and Laurie Monk... this guy knows more about music than I've forgotten!